I love to draw naked people. Fat ones, skinny ones old ones young ones, for some reason that passion that I had in Art school of trying to capture as much as I can about a person by the expressions of their bodies lives with me still.
I realize that figurative work has not been in vogue for a while, and I wonder why I am still obsessed with drawing the figure inside out. I think it has to with an honest exploration of our humanness and its different forms of manifestations.
The body has a language that communicates so much. It can be subtle or flamboyant; awkward, self-conscious, tired, earnest, graceful, poised, monumental. Models say so much about themselves with their body movements. Maybe I’m also attracted to the idea that the unclothed individual occupies a timeless place, where the same thoughts, yearnings and attitudes and anxieties have existed for thousands of years. Over and over again I paint the experience, pressure, enlightenment, acceptance, sensuality, anger or ambition that each person presents me with. I relish the structure of their core, the curves of their reserves, the expression of their hands and feet and the experience of their faces. I capture with my line, what their bodies tell me with the same tone and intensity. I suppose the way I draw people also says a lot about the artist, but I’ll leave that to the viewer.
for more drawings check out more naked people.
I give special thanks to Eviva the monumental, Robin the brash, Rebbecca the beautiful, and those many others who’s name I cannot remember who graced the model stands at Pratt & Parson’s campus’s from 91 to 98.
Enjoy!